Dictionaries
August went past so fast for me working with four dictionaries. Sigh..... Finally, here they are:
Burmese dictionary
Burmese dictionary is mainly based on the Myanmar-English dictionary published in 1993 by the Myanmar Language Commission and republished in 1996 by Dunwoody Press (ISBN 1-881265-47-1)
Mon dictionary
Mon dictionary is based on the Dictionary of Modern Spoken Mon by H.L. Shorto (1962, Oxford University Press)
Shan dictionary
Shan dictionary is based on the Shan-English dictionary by Sao Tern Moeng (ISBN 0-931745-92-6)
Karen dictionary
Karen dictionary is based on the Drum Karen-English Student dictionary published by the Drum Publication Group in 2008.
If you do use them and find any errors or mistakes, please let me know.
Hope
From New York Times regarding Barack Obama's victory for the Democratic nomination:
"We as black people now have hope that we have never, ever had," Mr. Sam-Brew [an immigrant from Ghana] said. "I have new goals for my little girl. She can't give me any excuses because she's black."
ASEAN
Quote of the day
To be very blunt, Asean is really just a club of generally un-enlightened regimes, headed by autocrats, feudalists, state-paternalists and militarists all sharing the worst strain of pathetic Asian paternalism.
Zarni, a former Burmese activist who founded the Free Burma Campaign in the US
Emma Lazarus's The New Colossus
Emma Lazarus (July 22, 1849 – November 19, 1887) was an American poet. She wrote "The New Colossus" in 1883, that is now engraved on a bronze plaque on a wall in the base of the Statue of Liberty.
The New Colossus
Not like the brazen giant of Greek fame, With conquering limbs astride from land to land; Here at our sea-washed, sunset gates shall stand A mighty woman with a torch, whose flame Is the imprisoned lightning, and her name Mother of Exiles. From her beacon-hand Glows world-wide welcome; her mild eyes command The air-bridged harbor that twin cities frame. "Keep, ancient lands, your storied pomp!" cries she With silent lips. "Give me your tired, your poor, Your huddled masses yearning to breathe free, The wretched refuse of your teeming shore. Send these, the homeless, tempest-tost to me, I lift my lamp beside the golden door!"
Paul Auster wrote that "Bartholdi's gigantic effigy was originally intended as a monument to the principles of international republicanism, but 'The New Colossus' reinvented the statue's purpose, turning Liberty into a welcoming mother, a symbol of hope to the outcasts and downtrodden of the world".
At the Statue of Liberty in New York

To the Future